{"id":8700,"date":"2018-09-03T15:01:08","date_gmt":"2018-09-03T08:01:08","guid":{"rendered":"http:\/\/fortuneindo.com\/read\/?p=8700"},"modified":"2019-03-27T03:32:22","modified_gmt":"2019-03-27T03:32:22","slug":"the-director-of-asian-gamess-tv-commercial-colors-of-asia-shared-his-once-in-lifetime-opportunity","status":"publish","type":"post","link":"https:\/\/foru.co.id\/id\/blog\/2018\/09\/03\/the-director-of-asian-gamess-tv-commercial-colors-of-asia-shared-his-once-in-lifetime-opportunity\/","title":{"rendered":"The Director of Asian Games\u2019s TV Commercial \u201cColors of Asia\u201d  Shared His Once-in-lifetime Opportunity"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Fortune Indonesia is honored to appointed by the Olympic Council of Asia (OCA) to create two Television Commercials (TVC) for the Asian Games 2018. One of the TVCs titled \u201cColors of Asia\u201d is to be aired throughout Asia. <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">\u201cColors of Asia\u201d visualized through colorful powder that showcases the cultural diversity of Asian countries. Through the combination of colored powder and visual sports movements with the rhythm of the typical percussion instruments of each country, the TVC is delivering the message that diversity is the energy that unites Asia. The entire process from the making and finalizing the concept, the filming process, to the editing process, takes two months. The filming was done in Yogyakarta, Palembang, Jakarta, and the surrounding area, and involved some famous athletes including Taufik Hidayat and I Gde Siman Sudartawa. <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Working with a tight timeline, two Production Houses, and two different Directors is the challenge facing this project. Fortune Indonesia team admitted that the key to success of this project relies on the good cooperation and communication. Anton Josef, one of the Director shared his once-in-lifetime opportunity made Asian Games TVC \u201cColors of Asia\u201d.<\/span><\/p>\n<p style=\"text-align: justify;\"><b>Why did you say \u201cyes\u201d to our storyboard?<\/b><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Because it would been crazy to say<\/span><b> \u2019NO\u2019<\/b><span style=\"font-weight: 400;\"> \ud83d\ude42 <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Honestly, it\u2019s rare to find a storyboard that resonates with me so much as a filmmaker. As a former competitive athlete myself, I got excited about this project the second I saw it. Much credit goes to the creative team from Fortune.\u00a0They came up with a stunning way of honouring the historical tradition of the Asian Games, while still making it exciting and relevant for 2018. The use of colours wasn\u2019t just a thing that looked cool &#8211; it had a far deeper cultural meaning that perfectly represented the passion of the athletes themselves. It was something I\u2019d never seen before. But the meaning of the colours went beyond even that. It was important that so many different countries and traditions were equally represented (after all, there\u2019s a lot of countries that make up Asia!). So you can see the variety of colours coming to life through the traditional wardrobes of the musicians. It was an exciting challenge and it turned out to be a month of my life that I\u2019ll never forget.<\/span><\/p>\n<p style=\"text-align: justify;\"><b>Tell us about the most exciting\/challenging thing reproducing the Asian Games TVC<\/b><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Working with the amazing athletes was a reward in itself. It doesn\u2019t take long for you to realise how many years of training it takes to get to that level of skill. Sometimes I forgot to yell \u2018Cut!\u2019 in between shots because I just so mesmerised watching these athletes myself! In North-America, we rarely see sports like Wushu, Ribbon Dancing or Dragonboats, so those were all memorable moments for me. There\u2019s so many layers of artistry and expression through those sports that work so well on camera.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">The biggest challenge was of course working with all the colours flying everywhere. I tried to mix it up as much as possible, so it wasn&#8217;t the same kind of trick in every scene. But to make it look good took at ton of planning and testing along the way. Fortunately we had an amazing Indonesian art director and special effects team solving a lot of the issues before we ever got to set. They created some unbelievable rigs that would actually shoot the powder into huge clouds of colours in the air. Getting the timing right was the hardest part. For example, when the Volleyball player spikes the ball as the exploding colours &#8211; we only had milliseconds to get that right. <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">And you wouldn\u2019t believe the mess it made!! Sometimes, we only had one or two chances to get it right, or else we\u2019d have to wait at least a half hour to clean everything up to try again.<\/span><\/p>\n<p style=\"text-align: justify;\"><b>How do you feel working with Indonesian creative agency?<\/b><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Fortune Indonesia was a dream to work with. These guys are true creative partners in every sense of the word. They brought incredible ideas to the table while backing up my vision with a lot of support. That makes my job a lot easier. It\u2019s also wonderful to have really passionate and understanding clients who trusted our vision every step of the way. Nothing ever felt like a job. It was way too much fun!<\/span><\/p>\n<p style=\"text-align: justify;\"><b>Was there anything you wish you could do with the TVC but couldn\u2019t?<\/b><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">I don\u2019t think you always walk away from a shoot wondering <\/span><b>\u2018What If\u2026\u2019<\/b> <span style=\"font-weight: 400;\">As a director, you always dream of the perfect situations and scenarios where you have all the time in the world to get exactly what you want with each shot. But time and weather always have a way of working against you, and you have to adapt quickly. For example, those Dragonboating shots were all meant to have beautiful sunset light sweeping in over the trees. But it was pouring rain all day and there was so much mud, we were walking around with giant red clay slabs over our shoes. Another example is that we weren\u2019t able to use ANY of the amazing, brand new sports facilities being built across the country because they weren\u2019t finished yet. So those were just some of the big challenges we faced that influenced production. <\/span><\/p>\n<p style=\"text-align: justify;\"><b>What do you hope people across Asia would feel after watching the TVC?<\/b><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">I hope people feel proud and excited to support their athletes. Asian games are a once-in-lifetime opportunity for many people and that\u2019s what it felt like making this TVC.\u00a0<\/span><\/p>\n<p><strong>TVC Asian Games \u201cColors of Asia\u201d :<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/dh4IrjZ8_XE\" width=\"924\" height=\"858\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">TVC Asian Games 2018 \u201cColors of Asia\u201d Team<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Olympic Council of Asia (COM3 Singapore)<\/span><\/p>\n<ul style=\"text-align: justify;\">\n<li><span style=\"font-weight: 400;\"> \u00a0\u00a0\u00a0\u00a0\u00a0Toto Dharmadji &#8211; Director<\/span><\/li>\n<li><span style=\"font-weight: 400;\"> \u00a0\u00a0\u00a0\u00a0\u00a0Mela Sabina &#8211; Director of Broadcasting<\/span><\/li>\n<li><span style=\"font-weight: 400;\"> \u00a0\u00a0\u00a0\u00a0\u00a0Nicholas Tan<\/span><\/li>\n<li><span style=\"font-weight: 400;\"> \u00a0\u00a0\u00a0\u00a0\u00a0Johannes See<\/span><\/li>\n<\/ul>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Fortune Indonesia<\/span><\/p>\n<ul style=\"text-align: justify;\">\n<li><span style=\"font-weight: 400;\"> \u00a0\u00a0\u00a0\u00a0\u00a0Jessica Carla \u2013 Business Unit Director<\/span><\/li>\n<li><span style=\"font-weight: 400;\"> \u00a0\u00a0\u00a0\u00a0\u00a0Paulus Soni C. Gumilang \u2013 Creative Director<\/span><\/li>\n<li><span style=\"font-weight: 400;\"> \u00a0\u00a0\u00a0\u00a0\u00a0Gregorius Murdianto \u2013 Creative Group Head<\/span><\/li>\n<li><span style=\"font-weight: 400;\"> \u00a0\u00a0\u00a0\u00a0\u00a0Angki Sumanang \u2013 Senior Art Director<\/span><\/li>\n<li><span style=\"font-weight: 400;\"> \u00a0\u00a0\u00a0\u00a0\u00a0Rahma Fathia \u2013 Copy Writer<\/span><\/li>\n<li><span style=\"font-weight: 400;\"> \u00a0\u00a0\u00a0\u00a0\u00a0Claudia Nauli \u2013 Senior Account Manager<\/span><\/li>\n<li><span style=\"font-weight: 400;\"> \u00a0\u00a0\u00a0\u00a0\u00a0Atrin Rangkisani \u2013 Senior Account Executive<\/span><\/li>\n<li><span style=\"font-weight: 400;\"> \u00a0\u00a0\u00a0\u00a0\u00a0Pradipta Ariarto \u2013 Senior AV Producer<\/span><\/li>\n<\/ul>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">High Angle<\/span><\/p>\n<ul>\n<li style=\"text-align: justify;\"><span style=\"font-weight: 400;\"> \u00a0\u00a0\u00a0\u00a0\u00a0Ayudya Mahaswani \u2013 Executive Producer<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"font-weight: 400;\"> \u00a0\u00a0\u00a0\u00a0\u00a0Alfredo Ferdian \u2013 Executive Producer<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"font-weight: 400;\"> \u00a0\u00a0\u00a0\u00a0\u00a0Anton Josef \u2013 Director<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"font-weight: 400;\"> \u00a0\u00a0\u00a0\u00a0\u00a0Indra Loebis \u2013 Assistant Director<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"font-weight: 400;\"> \u00a0\u00a0\u00a0\u00a0\u00a0Henry Samson \u2013 Director of Photography<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"font-weight: 400;\"> \u00a0\u00a0\u00a0\u00a0\u00a0Caez Mahardika \u2013 Producer<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"font-weight: 400;\"> \u00a0\u00a0\u00a0\u00a0\u00a0Maria \u2013 Line Producer<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"font-weight: 400;\"> \u00a0\u00a0\u00a0\u00a0\u00a0Kiki \u2013 Wardrobe<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"font-weight: 400;\"> \u00a0\u00a0\u00a0\u00a0\u00a0Patih Armada \u2013 Art Director<\/span><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Fortune Indonesia is honored to appointed by the Olympic Council of Asia (OCA) to create two Television Commercials (TVC) for the Asian Games 2018. One of the TVCs titled \u201cColors of Asia\u201d is to be aired throughout Asia. \u201cColors of Asia\u201d visualized through colorful powder that showcases the cultural diversity of Asian countries. Through the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":8702,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[192,60],"tags":[2242,2243,1712],"class_list":["post-8700","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-general","category-news","tag-asian-games-2018","tag-colors-of-asia","tag-tvc"],"acf":[],"_links":{"self":[{"href":"https:\/\/foru.co.id\/id\/wp-json\/wp\/v2\/posts\/8700"}],"collection":[{"href":"https:\/\/foru.co.id\/id\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/foru.co.id\/id\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/foru.co.id\/id\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/foru.co.id\/id\/wp-json\/wp\/v2\/comments?post=8700"}],"version-history":[{"count":1,"href":"https:\/\/foru.co.id\/id\/wp-json\/wp\/v2\/posts\/8700\/revisions"}],"predecessor-version":[{"id":9065,"href":"https:\/\/foru.co.id\/id\/wp-json\/wp\/v2\/posts\/8700\/revisions\/9065"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/foru.co.id\/id\/wp-json\/wp\/v2\/media\/8702"}],"wp:attachment":[{"href":"https:\/\/foru.co.id\/id\/wp-json\/wp\/v2\/media?parent=8700"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/foru.co.id\/id\/wp-json\/wp\/v2\/categories?post=8700"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/foru.co.id\/id\/wp-json\/wp\/v2\/tags?post=8700"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}